Ehrenburg's novel was published in 1954. Ilya Erenburg - biography, information, personal life

Ilya Grigoryevich Erenburg (1891-1967) was born into a Jewish family (his father was an engineer); spent his childhood in Kiev, studied at the 1st Moscow Gymnasium, was expelled from the 6th grade for participating in a revolutionary circle. In 1908 he was arrested, released on bail and, without waiting for the trial, fled to France.

Disillusioned with the ideas of Bolshevism, he switched to literary studies. He made his debut in 1910 with a small book, Poems, published in Paris (according to M. Voloshin, works “skillful, but tasteless, with a clear bias towards aesthetic blasphemy”), and then almost every year he published collections in Paris in small editions at his own expense and sent them to Russia to acquaintances (“I live”, 1911; “Dandelions”, 1912; “Everyday life”, 1913; “Children's”, 1914).

Subsequently, he considered Poems about the Eves, 1916, to be the first "real" book. V. Bryusov, N. Gumilyov, S. Gorodetsky paid attention to the poems, they caused a lot of responses in criticism. A. Blok in 1918 in the article "Russian dandies" already mentions the "fashion for Ehrenburg."

During these years, I. Ehrenburg translated French and Spanish poetry, entered the circles of artistic bohemia in Paris (P. Picasso, A. Modigliani, M. Chagall, etc.). After the February Revolution, he returned to Russia, but met the October Revolution with hostility (the collection of poems Prayer for Russia, 1918, which reflected the then mood of the writer, was withdrawn from Soviet libraries).

He lived first in Moscow, then wandered around the south of the country, tried to earn a living by journalism (he wrote articles both friendly towards the revolution and counter-revolutionary).

In 1921, he went on a "creative business trip" to Berlin, keeping his Soviet passport, and most of his most significant prose works were created during the years of "semi-emigration" ("The Extraordinary Adventures of Julio Jurenito and His Students....", the novel "Rvach", the melodrama The Love of Jeanne Ney, the historical novel The Conspiracy of Equals, the collection of short stories Thirteen Pipes, and many others).

I. Ehrenburg's books were published simultaneously both abroad and at home. A long stay in Germany and France in such an exceptional position led to the fact that Ehrenburg was not completely considered "one of his own" either in the emigre environment or in Soviet Russia.

In 1918-1923, small poetry books by Ehrenburg continued to be published, but they did not arouse interest among critics and readers. I. Ehrenburg returned to writing poetry at the end of his life (part of his poetic heritage was published posthumously), and Ehrenburg was known to his contemporaries mainly as a brilliant publicist, novelist, author of the memoirs People, Years, Life.

Soviet literature

Ilya Grigorievich Ehrenburg

Biography

Ehrenburg Ilya Grigoryevich (1891−1967) was born into a Jewish family (father is an engineer); spent his childhood in Kiev, studied at the 1st Moscow Gymnasium, was expelled from the 6th grade for participating in a revolutionary circle. In 1908 he was arrested, released on bail and, without waiting for the trial, fled to France.

Disillusioned with the ideas of Bolshevism, he switched to literary studies. He made his debut in 1910 with a small book, Poems, published in Paris (according to M. Voloshin, works “skillful, but tasteless, with a clear bias towards aesthetic blasphemy”), and then almost every year he published collections in Paris in small editions at his own expense and sent them to Russia to acquaintances (“I live”, 1911; “Dandelions”, 1912; “Everyday life”, 1913; “Children's”, 1914).

Subsequently, he considered Poems about the Eves, 1916, to be the first "real" book. V. Bryusov, N. Gumilyov, S. Gorodetsky paid attention to the poems, they caused a lot of responses in criticism. A. Blok in 1918 in the article "Russian dandies" already mentions the "fashion for Ehrenburg."

During these years, I. Ehrenburg translated French and Spanish poetry, entered the circles of artistic bohemia in Paris (P. Picasso, A. Modigliani, M. Chagall, etc.). After the February Revolution, he returned to Russia, but met the October Revolution with hostility (the collection of poems Prayer for Russia, 1918, which reflected the then mood of the writer, was withdrawn from Soviet libraries).

He lived first in Moscow, then wandered around the south of the country, tried to earn a living by journalism (he wrote articles both friendly towards the revolution and counter-revolutionary).

In 1921, he went on a “creative business trip” to Berlin, keeping his Soviet passport, and most of his most significant prose works were created during the years of “semi-emigration” (“The Extraordinary Adventures of Julio Jurenito and His Students ...”, the novel “Rvach”, the melodrama “Love Jeanne Ney", historical novel "Conspiracy of Equals", collection of short stories "Thirteen Pipes" and many others).

I. Ehrenburg's books were published simultaneously both abroad and at home. A long stay in Germany and France in such an exceptional position led to the fact that Ehrenburg was not completely considered "one of his own" either in the emigre environment or in Soviet Russia.

In 1918-1923, small poetry books by Ehrenburg continued to be published, but they did not arouse interest among critics and readers. I. Ehrenburg returned to writing poetry at the end of his life (part of his poetic heritage was published posthumously), and Ehrenburg was known to his contemporaries mainly as a brilliant publicist, novelist, author of the memoirs People, Years, Life.

Ilya Grigoryevich Ehrenburg was born in 1891 in the family of an engineer. He spent his childhood in Kiev, and already while studying at the first Moscow gymnasium, he was expelled from the students in the sixth grade, due to attending a revolutionary circle.

In 1908, Ilya Ehrenburg was arrested and after some time released on bail, but the writer, without waiting for the trial, was forced to leave his homeland and flee to France, due to political persecution.

Abroad, Ehrenburg became completely disillusioned with the Bolshevik ideas and began to write. His first book, Poems, was published in Paris in 1910. The debut was successful, and soon the world saw several collections “I live” - 1911, “Dandelions” - 1912, “Everyday life” - 1913, “Children's” - 1914. The poet sent these publications to his friends in Russia.

Published in 1916, the book of I. G. Ehrenburg "Poems about eve" caused a surge of criticism and reviews. Alexander Blok subsequently wrote in 1918 that there was a "fashion for Ehrenburg".

During this period, the writer began translating Spanish and French poetry into Russian, and also began to appear frequently in the circles of Parisian artistic bohemia. He communicated with P. Picasso, M. Chagall, A. Modigliani.

At the end of the February Revolution, I. Ehrenburg returned to Moscow, but in his collection of poems “Prayer for Russia”, published in 1918, he spoke negatively about the October Revolution.

Ehrenburg I.G. stayed in Russia. not for long, in 1921 he leaves for Berlin, on the so-called "creative business trip". Here his most significant works are published: “The extraordinary adventures of Julio Jurenito and his students ...”, the melodrama “The Love of Jeanne Ney” and others.

Ehrenburg's books were published both abroad and in Russia.

V last years In his lifetime, Ilya Ehrenburg returned to writing poetry, some publications appeared in the world after his death.

Contemporaries Ehrenburg I.G. remembered as a publicist and novelist. He died in August 1967.

Ilya Grigorievich Ehrenburg. Born on January 14 (26), 1891 in Kiev - died on August 31, 1967 in Moscow. Russian Soviet poet, writer, publicist, journalist, translator from French and Spanish, public figure, photographer.

Ilya Ehrenburg was born on January 14 (26 according to the new style) January 1891 in Kiev into a Jewish family.

Father - Gersh Gershanovich (Gersh Germanovich, Grigory Grigorievich) Ehrenburg (1852-1921), served as an engineer, was a merchant of the second guild (later the first guild).

Mother - Khana Berkovna (Anna Borisovna) Ehrenburg (nee Arinstein) (1857-1918), housewife.

He was the fourth child in the family.

Older sisters - Maria (1881-1940), Eugenia (1883-1965), Isabella (1886-1965).

Cousin - Ilya Lazarevich Ehrenburg (1887-1920), artist and journalist, participant in the Civil War.

Cousin - Natalya Lazarevna Ehrenburg (married Ehrenburg-Mannati) (1884-1979), collector, artist and teacher.

Cousins ​​(by mother) - a gynecologist Roza Grigorievna Lurie and a dermatovenereologist Alexander Grigorievich Lurie (1868-1954), professor and head of the department of dermatovenereology at the Kiev Institute for the Improvement of Doctors (1919-1949).

Cousin - Georgy Borisovich Ehrenburg (1902-1967), orientalist-sinologist.

His parents got married in Kiev on June 9, 1877, then lived in Kharkov, where three daughters were born, and returned to Kiev just before the birth of their son. The family lived in the apartment of the grandfather from the father's side - a merchant of the second guild Grigory (Gershon) Ilyich Ehrenburg - in the house of Natalya Iskra at Institutskaya Street No. 22.

In 1895, the family moved to Moscow, where his father received a position as director of the Joint Stock Company Khamovniki Beer and Honey Brewery. They lived on Ostozhenka, in the house of the Varvara Society in Savelovsky Lane, apartment 81.

Since 1901, he studied together with the 1st Moscow Gymnasium, where he studied poorly from the third grade and was left for the second year in the fourth. He left the gymnasium as a fifth grade student in 1906.

After the events of 1905, he took part in the work of the revolutionary organization of the Social Democrats, but did not join the RSDLP itself. In 1907 he was elected to the editorial board of the Social Democratic Union of Secondary Students. educational institutions Moscow.

In January 1908, he was arrested, spent six months in prison and was released pending trial, but in December he emigrated to France, lived there for more than 8 years. Gradually withdrew from politics.

Worked in Paris literary activity, rotated in the circle of modernist artists. The first poem "I went to you" was published in the journal "Northern Dawns" on January 8, 1910; ), "Poems about eve" (1916), a book of translations by F. Villon (1913), several issues of the magazines "Helios" and "Evenings" (1914). In 1914-1917 he was a correspondent for the Russian newspapers "Morning of Russia" and "Birzhevye Vedomosti" on Western front.

In the summer of 1917 he returned to Russia. In the autumn of 1918 he moved to Kiev, where he lodged with his cousin- a dermatovenereologist at the local Jewish hospital Alexander Grigoryevich Lurie on Vladimirskaya street, 40.

From December 1919 to September 1920, he lived with his wife in Koktebel, then from Feodosia he crossed by barge to Tiflis, where he obtained Soviet passports for himself, his wife and the Mandelstam brothers, with which in October 1920 they, together as diplomatic couriers, went by train from Vladikavkaz to Moscow.

At the end of October 1920, Ehrenburg was arrested by the Cheka and released thanks to the intervention of N.I. Bukharin.

Having negatively perceived the victory of the Bolsheviks (as evidenced by his collection of poems "Prayer for Russia" in 1918 and journalism in the newspaper "Kievskaya Zhizn"), in March 1921, Ehrenburg again went abroad.

Being expelled from France, he spent some time in Belgium and arrived in Berlin in November.

In 1921-1924 he lived in Berlin, where he published about two dozen books, collaborated in the New Russian Book, and together with L. M. Lissitzky published the constructivist magazine Veshch.

In 1922, he published the philosophical and satirical novel The Extraordinary Adventures of Julio Jurenito and His Disciples, which gives an interesting mosaic picture of the life of Europe and Russia during the First World War and the Revolution, but most importantly, a set of amazingly accurate prophecies.

Ilya Ehrenburg - "Julio Jurenito"

Ilya Erenburg was a promoter of avant-garde art. He was close to the left circles of French society, actively collaborated with the Soviet press - since 1923 he worked as a correspondent for Izvestia. His name and talent as a publicist were widely used by Soviet propaganda to create an attractive image. Soviet Union Abroad. Traveled a lot in Europe (Germany - 1927, 1928, 1930, 1931; Turkey, Greece - 1926; Spain - 1926; Poland - 1928; Czechoslovakia - 1927, 1928, 1931, 1934; Sweden, Norway - 1929; Denmark - 1929, 1933 ; England - 1930; Switzerland - 1931; Romania, Yugoslavia, Italy - 1934).

In the summer and autumn of 1932, he traveled around the USSR, was on the construction of the Moscow-Donbass highway, in Kuznetsk, Sverdlovsk, Novosibirsk, Tomsk, which resulted in the novel Day Two (1934), condemned by critics.

In 1934, he spoke at the First Congress of Soviet Writers, on July 16-18, 1934, in order to find Osip Mandelstam, who was in exile, he visited Voronezh.

Since 1931, the tone of his journalistic and works of art becomes more and more pro-Soviet, with faith in the "bright future of the new man." In 1933, the Izogiz publishing house published Ehrenburg's photo album My Paris in a carton and dust jacket made by El Lissitzky.

Ilya Ehrenburg owns the famous words: "See Paris and die".

After Hitler came to power, he became the greatest master of anti-Nazi propaganda. During the Spanish Civil War of 1936-1939, Ehrenburg was a war correspondent for Izvestia. He acted as an essayist, prose writer (collection of short stories Outside the Truce, 1937; novel What a Man Needs, 1937), poet (collection of poems Loyalty, 1941).

On December 24, 1937, he came from Spain to Moscow for two weeks, and on December 29 he spoke at a writers' congress in Tbilisi. On his next visit from Spain, his foreign passport was taken away from him, which was restored in April 1938 after Ehrenburg made two appeals to him, and in early May he returned to Barcelona. After the defeat of the Republicans, he returned to Paris.

After German occupation France took refuge in the Soviet embassy.

In 1940 he returned to the USSR, where he wrote and published the novel The Fall of Paris (1941) about the political, moral and historical reasons for the defeat of France by Germany in World War II.

From the first day of the Great Patriotic War began to actively resist the enemy on the propaganda front. He himself recalled June 22, 1941: “They came for me, they took me to Trud, to Krasnaya Zvezda, on the radio. I wrote the first military article. you have a military rank? I replied that there was no title, but there was a vocation: I would go where they were sent, I would do what they ordered.

During the Great Patriotic War, he was a correspondent for the Krasnaya Zvezda newspaper, wrote for other newspapers and for the Soviet Information Bureau. He became famous for his anti-German propaganda articles and works, which he wrote about 1500 during the war. A significant part of these articles, constantly published in the newspapers Pravda, Izvestia, Krasnaya Zvezda, are collected in the three-volume journalism War (1942-1944).

In 1942, he joined the Jewish Anti-Fascist Committee and was active in collecting and publishing materials about the Holocaust, which, together with the writer Vasily Grossman, were collected in the Black Book.

Ilya Ehrenburg and Konstantin Simonov are the authors of the slogan "Kill the German!"(which was first heard in K. M. Simonov's poem "Kill him!"), which was widely used in posters and - as a headline - leaflets with quotes from Ehrenburg's article "Kill him!" (published 24 July 1942).

To maintain the effectiveness of the slogan, special headings were created in Soviet newspapers of that time (one of the typical titles was “Did you kill a German today?”), In which letters were published by Soviet soldiers about the number of Germans they killed and how they were destroyed.

Adolf Hitler personally ordered the capture and hanging of Ehrenburg, declaring him in January 1945 worst enemy Germany. Ehrenburg was nicknamed "Stalin's Home Jew" by Nazi propaganda.

Ilya Ehrenburg. Kill!

“Here are excerpts from three letters found on dead Germans:

Manager Reinhardt writes to Lieutenant Otto von Chirac:

"The French were taken away from us to the factory. I chose six Russians from the Minsk region. They are much more enduring than the French. Only one of them died, the rest continued to work in the field and on the farm. Their maintenance costs nothing and we should not suffer from the fact that these beasts, whose children may be killing our soldiers, eat German bread. Yesterday I subjected to a light execution two Russian beasts, who secretly ate the skimmed milk destined for the wombs of pigs ... "

Mathias Dimlich writes to his brother Corporal Heinrich Zimlich:

"There is a camp for Russians in Leiden, you can see them there. They are not afraid of weapons, but we talk with them with a good whip ..."

A certain Otto Essmann writes to Lieutenant Helmut Weigand:

"We have Russian prisoners here. These types are eating earthworms on the airfield site, they throw themselves on the garbage can. I saw them eating weeds. And to think that these are people ..."

Slave owners, they want to turn our people into slaves. They take the Russians to their place, eat them up, drive them mad with hunger, to the point that, when dying, people eat grass, worms, and a filthy German with a rotten cigar in his mouth philosophizes: "Are these people? .."

We know everything. We remember everything. We understood that the Germans are not people. From now on, the word "German" for us is the most terrible curse. From now on, the word "German" unloads a gun. Let's not talk. Let's not get angry. We will kill. If you haven't killed at least one German in a day, your day is gone. If you think that your neighbor will kill a German for you, you have not understood the threat. If you don't kill the German, the German will kill you. He will take yours and torture them in his accursed Germany. If you can't kill a German with a bullet, kill a German with a bayonet. If there is a lull in your area, if you are waiting for a fight, kill the German before the fight. If you let a German live, the German will hang a Russian man and dishonor a Russian woman. If you killed one German, kill another - there is nothing more fun for us than German corpses. Don't count the days. Don't count miles. Count one thing: the Germans you killed. Kill the German! - this asks the old woman-mother. Kill the German! - it begs you child. Kill the German! - it screams native land. Don't miss. Do not miss. Kill!"

In the days when the Red Army crossed the state border of Germany, the Soviet leaders interpreted actions in Germany as the fulfillment of the liberation mission of the Red Army - the liberator of Europe and the German people proper from Nazism. And therefore, after Ehrenburg’s article “Enough!”, Published in Krasnaya Zvezda on April 11, 1945, a response article appeared by the head of the Propaganda and Agitation Department of the Central Committee of the All-Union Communist Party of Bolsheviks G.F. .

After the war, he released a dilogy - the novels The Tempest (1946-1947) and The Ninth Wave (1950).

In 1948, Hollywood releases the film The Iron Curtain, about the escape of the GRU cryptographer I. S. Guzenko and Soviet espionage. On February 21 of the same year, Ehrenburg published the article “Film Provocateurs” in the newspaper “Culture and Life”, written on the instructions of the Minister of Cinematography I. G. Bolshakov.

He was one of the leaders of the Peace Movement.

Ehrenburg's position among Soviet writers was peculiar: on the one hand, he received material benefits, often traveled abroad, on the other hand, he was under the control of special services and often even received reprimands. The attitude of the authorities towards Ehrenburg in the era of N. S. Khrushchev and L. I. Brezhnev was just as ambivalent.

After Stalin's death, he wrote the story "The Thaw" (1954), which was published in the May issue of the Znamya magazine and gave its name to an entire era of Soviet history.

In 1958, "French Notebooks" came out - an essay on French literature, painting and translations from J. Du Bellay. He is the author of the memoirs People, Years, Life, which were very popular among the Soviet intelligentsia in the 1960s and 1970s. Ehrenburg introduced the younger generation to many “forgotten” names, contributed to the publication of both forgotten (M. I. Tsvetaeva, O. E. Mandelstam, I. E. Babel) and young authors (B. A. Slutsky, S. P. Gudzenko).

Promoted new western art(P. Cezanne, O. Renoir, E. Manet, P. Picasso).

In March 1966, he signed a letter from thirteen leaders Soviet science, literature and art to the Presidium of the Central Committee of the CPSU against the rehabilitation of I.V. Stalin.

About 15,000 people came to say goodbye to the writer. He was buried in Moscow at the Novodevichy Cemetery (site No. 7).

Personal life of Ilya Ehrenburg:

Was married twice.

First wife - Katerina (Ekaterina) Ottovna Schmidt (1889-1977, in Sorokin's second marriage), translator. They were married in 1910-1913.

The couple had a daughter, Irina Ilyinichna Ehrenburg (1911-1997), translator French literature, she was married to the writer Boris Matveyevich Lapin (1905-1941). After the tragic death of her husband, she adopted and raised the girl Fanya, whom Ilya Ehrenburg brought from the front. In front of Fani in Vinnitsa, the Germans shot her parents and sisters, her older brothers served in Polish army. Some old man managed to hide Fanya, but since it was associated with great risk, he ordered her: "Run, look for the partisans." Ehrenburg brought this girl to Moscow precisely in the hope of distracting Irina from her grief. And she adopted Fanya.

Second wife - Lyubov Mikhailovna Kozintseva (1899-1970), artist, sister of film director Grigory Mikhailovich Kozintsev, student of Alexandra Exter, Robert Falk, Alexander Rodchenko, she was Ehrenburg's cousin niece. They married in August 1919.

Lyubov Kozintseva - the second wife of Ilya Ehrenburg

Filmography of Ilya Ehrenburg:

1945 - Yugoslavia (documentary) - screenwriter
1965 - Martiros Saryan (documentary) - screenwriter
1976 - Ilya Ehrenburg (documentary)

Bibliography of Ilya Ehrenburg:

1910 - Poems
1911 - I live
1912 - Dandelions
1913 - Weekdays: Poems
1914 - Children's
1916 - The story of the life of a certain Nadenka and the prophetic signs revealed to her
1916 - Poems about eve
1917 - About Semyon Drozd's vest: Prayer
1918 - Prayer for Russia
1919 - Fire
1919 - In the stars
1920 - Face of War
1921 - Eves
1921 - Reflections
1921 - Incredible Stories
1922 - Foreign thoughts
1922 - About myself
1922 - Portraits of Russian poets
1922 - Devastating Love
1922 - Golden heart: Mystery; Wind: Tragedy
1922 - The Extraordinary Adventures of Julio Jurenito
1922 - And yet she spins
1922 - Six stories about easy ends
1922 - Life and death of Nikolai Kurbov
1923 - Thirteen Pipes
1923 - Animal warmth
1923 - Trust "D. E." History of the death of Europe
1924 - Love of Jeanne Ney
1924 - Pipe
1925 - Jack of Diamonds and Company
1925 - Rvach
1926 - Summer 1925
1926 - Conditional suffering of a frequenter of a cafe
1926 - Three stories about pipes
1926 - Black crossing
1926 - Stories
1927 - In Protochny Lane
1927 - Materialization of fiction
1927-1929 - Collected works in 10 volumes
1928 - White Coal or Werther's Tears
1928 - The turbulent life of Lasik Roytshvanets
1928 - Stories
1928 - Pipe Communard
1928 - Conspiracy of equals
1929 - 10 HP Chronicle of our time
1930 - Time Visa
1931 - Dream Factory
1931 - England
1931 - United Front
1931 - We and them (together with O. Savich)
1932 - Spain
1933 - Second day
1933 - Our daily bread
1933 - My Paris
1933 - Moscow does not believe in tears
1934 - Protracted denouement
1934 - Civil War in Austria
1935 - Without taking a breath
1935 - Chronicle of our days
1936 - Four pipes
1936 - Frontiers of the Night
1936 - Book for adults
1937 - Outside the armistice
1937 - What does a person need
1938 - Spanish temper
1941 - Fidelity: (Spain. Paris): Poems
1941 - Captured Paris
1941 - Gangsters
1941 - Rabid Wolves
1941 - Cannibals. Way to Germany (in 2 books)
1942 - Fall of Paris
1942 - Bitterness
1942 - Fire on the enemy
1942 - Caucasus
1942 - Solstice
1942 - bosses Nazi Germany: Adolf Gitler
1942 - For life!
1942 - Basilisk
1942–1944 - War (in 3 volumes)
1943 - Freedom
1943 - German
1943 - Leningrad
1943 - " New order» in Kursk
1943 - Poems about the war
1946 - Tree: Poems: 1938–1945
1946 - Roads of Europe
1947 - Tempest
1947 - In America
1948 - Lion in the square
1950 - The Ninth Wave
1952–1954 - Collected works in 5 volumes
1952 - For Peace!
1954 - Thaw
1956 - Conscience of peoples
1958 - French notebooks
1959 - Poems: 1938-1958
1960 - India, Greece, Japan
1960 - Rereading Chekhov
1961–1967 - People, Years, Life - (books 1–6)
1962–1967 - Collected works in 9 volumes
1969 - Shadow of the Trees
1974 - Chronicle of Courage. Publicistic articles of the war years
1990–2000 - Collected works in 8 volumes (To the 100th anniversary of the birth)
1996 - At the hour of death. Articles 1918–1919
2004 - Let me look back. Letters 1908–1930
2004 - On the plinth of history. Letters 1931–1967
2006 - I hear everything

Writer, poet, translator, journalist, public figure Ilya Grigoryevich (Girshevich) Ehrenburg was born on January 27 (January 14 according to the old style), 1891 in Kiev. In 1895, the family moved to Moscow, where his father served for some time as director of the Khamovniki brewery.

Ilya Erenburg studied at the 1st Moscow Gymnasium, from the sixth grade of which he was expelled for revolutionary activities. For participation in the work of the revolutionary organization of the Bolsheviks in January 1908, he was arrested, and in August of the same year he was released pending trial under police supervision.

In December 1908, Ehrenburg emigrated to Paris, where he continued his revolutionary work, then moved away from political life and took up literary work.

When did the first World War Ehrenburg tried to join the French army as a foreign volunteer, but was declared unfit for health reasons.

In 1914-1917. he was a correspondent for Russian newspapers on the Western Front. Military correspondence of these years became the beginning of his journalistic work.

In 1915-1916. he published articles and essays in the newspaper Morning of Russia (Moscow), and in 1916-1917. - in the newspaper "Birzhevye Vedomosti" (Petrograd).

In July 1917, Ilya Ehrenburg returned to Russia, but October revolution he did not accept at first, which was reflected in the book of poems "Prayer for Russia" (1918).

After a short arrest in September 1918, he left for Kiev, then for Koktebel. In the autumn of 1920 he returned to Moscow, where he was arrested, but soon released.

In Moscow, Ilya Erenburg worked as head of the children's section of the Theater Department of the People's Commissariat for Education, which was led by Vsevolod Meyerhold.

In 1918-1923. he created collections of poems "Fire" (1919), "Eve" (1921), "Reflections" (1921), "Foreign Reflections", "Desolating Love" (both - 1922), "Animal Warmth" (1923), etc. .

In March 1921, having received permission to travel abroad, he left for Paris with his wife, keeping his Soviet passport. In Paris, he met and became friends with figures of French culture - Picasso, Eluard, Aragon, and others.

From that moment on, Ilya Ehrenburg lived most of the time in the West.

Shortly after his arrival, he was expelled from France for pro-Soviet propaganda. In the summer of 1921, while in Belgium, he wrote his first work in prose - the novel The Extraordinary Adventures of Julio Jurenito and His Disciples... (1922).

In 1955-1957. Ehrenburg wrote a number of literary-critical essays on French art under the general title "French Notebooks". In 1956, he secured the first exhibition of Pablo Picasso in Moscow.

Ehrenburg was married twice. For some time he lived in a civil marriage with Ekaterina Schmidt, they had a daughter, Irina (Irina Ehrenburg, 1911-1997, writer, translator).

The second time he married the artist Lyubov Kozintseva (sister of director Grigory Kozintsev), with whom he lived until the end of his life.

Ilya Ehrenburg died after a long illness on August 31, 1967 in Moscow. He was buried at the Novodevichy cemetery. A year later, a monument was erected on the grave, on which Ehrenburg's profile was carved according to the drawing of his friend Pablo Picasso.

The material was prepared on the basis of information from open sources